Career: Move to United States

In Rosemary’s Baby: A Retrospective, a featurette on the DVD release of the film, Polanski, Paramount Pictures executive Robert Evans, and production designer Richard Sylbert reminisce at length about the production. Evans recalled William Castle brought him the galley proofs of the novel Rosemary’s Baby by Ira Levin and asked him to purchase the film rights even before Random House released the publication. The studio head recognized the commercial potential of the project and agreed with the stipulation that Castle, who had a reputation for low-budget horror films, could produce but not direct the film adaptation. Evans admired Polanski’s European films and hoped he could convince him to make his American debut with Rosemary’s Baby (film) (1968). He knew Polanski was a ski buff who was anxious to make a film with the sport as its basis, so he sent him the script for Downhill Racer with the galleys for Rosemary. Polanski read the book non-stop through the night and called Evans the following morning to tell him he thought it was the more interesting project, and would like the opportunity to write as well as direct it. His first Hollywood film established his reputation as a major commercial filmmaker and both the novel and movie became commercial successes. A horror-thriller set in the trendy Manhattan apartment building “The Dakota”, the story is about Rosemary Woodhouse (Mia Farrow), an innocent young housewife, originally from Omaha, who is impregnated by the devil after her narcissistic and ambitious actor husband, Guy (John Cassavetes), who offers her womb to a coven of local satanists, in exchange for stardom. Much of the film concerns Rosemary’s suspicions and her increasingly successful attempts to uncover the truth of what is going on. Polanski’s screenplay adaptation earned him a second Academy Award nomination. In April 1969, Polanski’s friend and collaborator, the composer Krzysztof Komeda, died from head injuries sustained from a skiing accident, though other accounts of the cause of his death exist. After the short Two Men and a Wardrobe, he scored all of Polanski’s feature films (with the exception of Repulsion), and is probably best known in the US for his final collaboration with the director: the haunting soundtrack to Rosemary’s Baby.

After making his next two films in Europe, Polanski returned to Hollywood in 1973 to make Chinatown for Paramount Pictures, with Robert Evans serving as producer. The film was nominated for a total of 11 Academy Awards; stars Jack Nicholson and Faye Dunaway both received Oscar nominations for their roles, and the script by Robert Towne won for Best Original Screenplay. A private detective, Jake Gittes (Nicholson), is hired to investigate a case of suspected adultery, but instead winds up uncovering a nefarious cabal of corrupt public officials and crooked businessmen who are secretly defrauding city hall and local taxpayers by undermining the publicly owned water supply as a means to facilitate a vast land grab in the San Fernando Valley. As the detective finds out, the ringleader of the conspiracy is responsible for the libel and murder of the city’s water commissioner as well as an incestuous rape. Polanski appears in a cameo role as a hoodlum who slices Nicholson’s nose with a knife in a failed attempt to scare him off the case. A major critical and box-office success from the time of its premiere in the summer of 1974, Chinatown has been considered by some to be Polanski’s greatest achievement as a filmmaker.

[Text from Wikipedia]